I Lost Confidence In APC After The EndSARS Period – Ronke Oshodi Oke

Nollywood actress, Ronke Oshodi Oke has come out to say that she regrets campaigning for the All Progressives Congress (APC) after what she saw during the EndSARS protest. She recently had her say via her social media page, and fans have been reacting.

According to her, she had collected little money to campaign for the party ahead of the election at the time, but she lost confidence in the party totally following the October 2020 incidence and what transpired during that period.

Ronke added that Lagos State Governor was also saying different things at the same time, so the entire turnout of events ended up disappointing her.

Her words, “I felt APC is going to take Nigeria to the next level. So even while we were campaigning for them, I didn’t collect much. I wasn’t looking at the money, I was looking at what is going to happen later. All that they have been doing, I was thinking eight years cannot fix Nigeria. We all know that. But when the EndSARS protest came up, I was so down.”

“I was really really down because our governor was saying three different things at the same time. They said they didn’t kill anybody. But if one person died, fifty people have died with that one person. The people that person is feeding, their parents and siblings. I was really down. I regretted working for them.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.